PROJECTS AND INSTALATIONS
SINFONIA INVISIBILE
Tiziana Bertoncini → Stamorčak
A series of tubes hanging from the trees filter the surrounding sounds, producing different frequencies; a delicate and silent presence within the place. By approaching the work, everyone can create an intimate relationship with it, listening to their own private symphony.
SYNKLAVIA for piano and analogue synthesizer
Thomas Lehn → Pihuova
In SYNKLAVIA, Thomas Lehn fuses his lifelong partners—the piano and the analogue synthesizer—into a new instrument: a kind of synthesizer-prepared piano. In the realisation for MOST, he will open the windows of the Pihuova house to project the interwoven acoustic and electronic sounds into the outdoor spaces.
MUSEO DEGLI OBJETS TROUVÉS
Tiziana Bertoncini, Thomas Lehn, Francesco Schievano → Cantina casa Pihuova
Relics found in the lands, in abandoned houses and cellars. Lost objects, traces of other lives, of other stories.
STRANGE SONGS for voice and bird whistles
Ute Wassermann → Stamorčak
Ute Wassermann masks her voice with bird whistles creating a hybrid vocal persona with sculptural, oscillating, swirling tone-colours. The vocal sounds seem to be disconnected from the human voice dissolving into the sounds of birds, of machines, of electronics, scraps of otherworldly language.
CATCH FOR VOICE & OBJECTS
Ute Wassermann → Vecchia scuola
In this piece Ute's voice mixes with the sound of bird whistles, membranes and percussion objects. Highly amplified, her voice creates screaming, breathing and coloratura-like sound turbulence. She improvises with concepts that are expanded, changed or destroyed on stage in a constant process of creation.
INFRASOTTILE (studio per)
Tiziana Bertoncini, violino | Barbara Stimoli, danza → nel bosco
"Inframince, for M. Duchamp, is an interval between what is barely still possible and what is already impossible to perceive, it is an effective and at the same time elusive presence" Infrasottile is the trace of a daily practice of listening to and perceiving the forest, a dialogue "on the borders between what is imagined, unimaginable and real". (Laura Pugno, Noi senza mondo, Marsilio ed. 2024)
CACCIA AL TESORO
Lǝ bambinǝ di Topolò: Amalia, Greta, Sofia, Dora, Sol → dal Potok
For the children of Topolò, crossing the forest and arriving at the mill alone was a conquest of fertile ground for their stories, of confidence in their possibilities, of belonging to a place that does not end and has never ended with the borders of the village, that continues naturally, spontaneously with the forest, the stream, the pools. Now it is up to us to search along the path they love so much for the hidden traces and clues that will lead us to their treasure, savouring once again the wonder and joy, the amazement and awe, of when we were children.
SOTTILI TRAME , OVVERO CAMMINATA DELL'ATTENZIONE
Alessandra Breda → da Stamorčak
What does the forest sound like to my nose? How does it sound to my ears? And who does my skin meet along the way? How much of me, from step to step, can call itself a forest too? What subtle texture is perceptible when I allow my sight to become a threshold between the reality I know and so much that is unknown to me, imagined, dreamed?
UN GIORNO A SCUOLA
Francesco Schievano con la partecipazione di Italo, Angela, Aldo → Memihova hiša
Topolò, 1950. The municipal school is too small and not enough to accommodate all the girls and boys of the village, which in those years still had a few hundred inhabitants. But studying is a need and so the houses open up, families welcome and transform a simple room in their home into a first grade classroom. Through the live stories of some of the inhabitants of Topolò, we will rediscover some of the traces and memories of that part of the 20th century, a difficult post-war period, a time of hardship but also of inventiveness and community warmth.
PER UNA CURA MULTISPECIE, azione partecipata
Titta C. Raccagni → Stamorčak
In a place like Topolò, the relationship between the human and the other than human becomes an embodied practice of everyday life, a challenge to one's limits, an act of multispecies care.
DIVERTISSEMENT N.1
Titta C. Raccagni → al Cinema
Di luci ombre e gocce. Esperimento analogico senza pretese.
SUBTERRANEAN TRANSACTIONS
Antônio Federico Lasalvia → sul muro della Jeukina Hiša
In 2023, within the time frame of daylight, the land belonging to two bordering countries was clandestinely swapped. In place of what was previously national soil, now there lies ground coming from the opposite side of the border. The exchange was realized in the authoritative limbo that characterizes the limit between two sovereign states. As a symbolic gesture executed over an immaterial historical division, it disrupts an imaginary line that divides an otherwise continuous experience of the land.
DISEGNO IN SUONO
Elena Rucli → Fienile di Romano
Drawing in Sound is Radio Robida's radio programme, started in 2022, which investigates drawing not in its visual form of image and composition, but in its sound aspect. For this installation, the sounds of marks (pencil, ink, pen) on paper were collected during the evening hours in Topolò.
TRASMISSIONI DAL PASSATO
Valerio Bergnach → giardino della Martinkina Hiša
Sounds and words of the past travel through the air, we can relive them by listening to what this radio installation can tune in. A temporal journey through the Topolò sound, where memory takes shape in the present through listening.
Open Project realised in collaboration with Antonio Della Marina for the 26th edition of Stazione di Topolò / Postaja Topolove.
AURAL TOOLS 30 meters stretch
di Seiiji Morimoto e Attila Faravelli → ???
“Tie the rope to a tree or pole. Draw a line or stretch between the trees. Hold the other side by hand or tie it to another tree or pole. Wait for the wind to blow.” S. Morimoto
TRA IL BLU E IL VERDE
condotto da Lara Carrer → Mlinarjov Hiša (o casa di Lara)
MOST
Movement, Observation, Sound, Territory
MOST is an imaginary bridge that crosses space time dimensions and boundaries.
A passage, an experiment.
Stories and memories, traces and wonders.
Houses open up, forests are walked through, nature and culture intertwine.
MOST is a bridge between historic and new inhabitants, and between generations.
It is a bridge between village life and the arts, between what is imaginable and real.
Venerdì / Petek / Friday → 22 August
17h00 presentazione di MOST e apertura delle installazioni
Antônio Frederico Lasalvia, Attila Faravelli,
Elena Rucli, Francesco Schievano,
Seiiji Morimoto, Thomas Lehn, Titta C. Raccagni,
Tiziana Bertoncini, Valerio Bergnach
19h30 Synklavia per pianoforte e sintetizzatore analogico
Thomas Lehn - Giardino della Casa Pihuova
cena Chapati con Blaso
21h30 Catch per voce e oggetti
Ute Wassermann - Vecchia scuola
Sabato / Sobota / Saturday → 23 August
15h00 Apertura delle installazioni
16h00 Strange songsper voce e fischietti per uccelli
Ute Wassermann - Stamorčak
17h00 Sottili Trame, ovvero camminata dell’attenzione
Alessandra Breda - da Stamorčak
18h00 Infrasottileper violino e danza
Tiziana Bertoncini e Barbara Stimoli - nel bosco
20h00 aperitivo e presentazione del progetto Uncommon Fruits
ERBA (Philipp Kolmann e Suzanne Bernhardt) e Robida
cena con Erba
21h30 installazioni notturne
Domenica / Nedelja / Sunday → 24 August
10h00 Tra il blu e il verdelaboratorio di cianografia
Lara Carrer - Casa di Lara
11h30 Per una cura multispecie
Titta C. Raccagni - dalla Vecchia Scuola
pranzo Gnocchi con Elena Braida
15h00 Caccia al tesoro
Le bambine di Topolò: Amalia, Dora Greta, Sofia, Sol - dal Potok
⇡
Free entrance
⇢
For information about acessibility:
+39 3288111441 , +39 3496446722,(signal, whatsapp)
associazionetopoluove@gmail.com